$1499.0 Buy It Now or Best Offer
free,30-Day Returns
Seller Store proaudiostar
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Location: Winchester, Virginia
Ships to: US,
Item: 405163801563
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
UPC:652401977568
Diaphragm Size:Large
MPN:R84A
Form Factor:Ribbon Microphone
Features:Phantom Powered
AEA:AEA
AEA R84A:AEA R84A
Connectivity:Wired
DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer – Full Warranty AEA R84A Active Ribbon Microphone Active Ribbon Microphone – Brand New – Description R84 Series R84 series ribbon microphones deliver the classic tonality of the legendary R44, with extended top-end and reduced proximity effect for mid-range and close-range recording. The R84A is an active version of the passive R84 that allows compatibility with a wider range of preamplifiers. A Workhorse Ribbon The R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range, complete with sweeping highs and booming lows. The R84 series’ balanced and manageable proximity effect bolsters the low-end of vocals, drums, and brass, from just feet away. A ribbon mic as multi-purpose, lightweight, and maneuverable as the R84 is well-suited for both close-range and ambient mic applications. The R84A retains the same sonic character of the R84 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp. A Modern Classic R84 series ribbon mics are a staple in numerous recording studios because of a unique tonality and classic sound. The smooth, high-frequency roll-off and reduced sibilance of the R84 make it the first choice for engineers when tracking vocals or other instruments that often sound harsh when recorded with condenser mics. The R84’s accentuated mid-range captures the unique qualities of many instruments with detailed elegance. Its remarkable low-end response is perfect for adding heft to the sound of drum kits or otherwise thin vocals. R84 series mics perform well on practically any voice or musical instrument, making them highly useful in recording and broadcast studios. The R84A: An Active Version For those without access to an ideal preamp, AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in our active R44. It’s basically an R84 with a built-in preamp. The active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night. The extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The R84A’s active circuitry requires standard 48-volt phantom power to operate. The premium R84A also flaunts an 18-karat, gold-plated grille. Big Sound in Compact Way In 2000, AEA sought to design a more compact, lightweight and economic version of the hefty, eight-pound RCA 44BX. The result was the R84, which retains the best traits of the 44 series in a lower cost, three-pound package. The R84 and original RCA 44 (now the AEA R44C) share the same Big Ribbon element, transformer and other mechanical elements by design. By using modern design techniques and stronger, more compact magnets, the R84 retains the classic RCA ribbon sound. The R84 boasts improvements on the 44 design— including more manageable proximity effect, more extended top-end, vibration isolation and greater maneuverability on small stages and in small studios. The microphone’s U-shaped yoke acts as a shock mount and enables the user to position the R84 at various angles, even on a straight mic stand. Which Model is for Me? The R84 and R84A are almost identical in sound.The R84A is an R84, but equipped with custom-made Lehle transformer and active electronics. Though the two versions of the microphone sound very similar and both deliver the classic ribbon sound, they have different requirements. The choice between the R84 and R84A is contingent on the specific needs of an engineer and their environment. Yes, There’s A Matching Preamp Since the R84 is a passive ribbon microphone, a good preamp is critical for optimum performance. Preamp gain should be at least +60dB or higher and it should have a very high impedance. These requirements are vital for the ideal performance of any ribbon mic. To guarantee consistent, full-range ribbon sound with the passive R84, we recommend AEA’s RPQ3, RPQ500, TRP500 and TRP3 preamps, which were specially designed for ribbon microphones. However, preamps with above a 5K ohm impedance found in many live soundboards are adequate for guitar amps and other louder instruments. On quiet sound sources or for distance recording, an AEA preamp is highly recommended. If you do not own a ribbon preamp, we recommend the active R84A, due to its higher output and preamp flexibility. Features/Specs R84 Series Microphone Overview Warm, smooth and detailed classic ribbon sound Full and rich tonality with generous highs and lows Sonically similar to the legendary R44 Series, with less proximity effect Versatile in close-range or ambient applications Active R84A version has 12dB level increase and is optimized for all preamps Operating Principle : Pressure gradient transducer Directional Pattern : Bidirectional Frequency Range : <20 Hz to >20 kHz Polarity : Pin 2 high for positive pressure on front of microphone Polar Response : Native bidirectional, figure-of-8 pattern Horizontal : Up to 90 dB rejection at right angles to the front/back axis. Vertical : Level changes with angle of incidence, but frequency response is consistent. Transducer Element Material : Pure aluminum corrugated ribbon Thickness : 1.8 µm Width : 0.185 in (4.7 mm) Length : 2.35 in (59.7 mm) Microphone Dimensions: Height : 11.6 in (29.5 cm) Width : 3.9 in (9.9 cm) Depth : 2.5 in (6.4 cm) Connector : XLR-3M R84 Passive Microphone Maximum SPL : 165 + dB SPL (1% third harmonic > 1 kHz) Sensitivity : 2.5 mV/Pa (-52 dBv/Pa) into unloaded circuit Output Impedance : 270 Ω nominal Recommended Load Impedance : 1.2K Ω or greater Phantom Power : Not required or recommended R84A Phantom-Powered Microphone Maximum SPL : 141 + dB SPL (1% third harmonic > 1 kHz) Sensitivity : 6.3 mV/Pa (-44 dBv/Pa) into unloaded circuit Output Impedance : 92 Ω broadband Recommended Load Impedance : 1.0K Ω or greater Phantom Power : P48 phantom power, 7 mA Accessories Included Softcase, user manual, captive 10” (3 meter) output cable with XLR-3M We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn’t want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. “Special Orders”, discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.
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